A brief look at the political and socio-religious scenario that led up to the 16th century Hindu revivalism under Sri Chaityna With the start of the Muslim invasions from the end of the 12th century and the subsequent settling down of these invaders in Bengal marked a sharp breakaway from the past within the socio-cultural…
Category: architecture
Photodocumenting Museum Sculptures I – Coochbehar Palace Museum (newly renovated)
All photos by Anirban Sarkar (if images are downloaded and shared, please give his name as reference) Surya, 10th c. CE Navagraha panel, 10th c. CE 4 armed Devi, 9th -10 c. CE Fragmentary remains of a likely Vishnu Stele, at the two sides are Devis Lakshmi and Saraswati, 11-12th c. CE remains of ornametal…
Taking a look at the Devi images on seals and other artefacts from the Harappan times to the Gupta era in Hindu Iconograpy
Hindu temple iconography is a difficult subject. It takes a lot of reading and understanding of the philosophies behind the symbolism to get at the basics. Then of course there are the varying interpretations of each symbolism as per the philosophy one tends to believe in. There’s a saying in Bengali : joto mot, toto…
The various Durga-Mahishasuramardini pratimas as seen through the ages – a pictorial depiction
The ugra aspect of the devi is best characterised by her Mahishasuramardini image, which has been depicted in various ways over the centuries. The Vedic text such as Vajasaneyi Samhita, Taittiriya Aryanaka, Kena, Mundaka Upanishads, Sankhayana grihasutras mention Durga in her various forms; the soumaya (quiet/placid) forms among them being that of Gauri, Parvati, etc….
Shiva- the conqueror of Time and Death
Aum Tryambakam yajaamahe sugandhim pushtivardhanam | Urvaarukamiva bandhanaan-mrityormuksheeya maamritaat || One among the most influential gods in Hinduism, Shiva is a part of the old Hindu triad, and his followers are cumulatively known as Saivites, although there are many sects within it. While Shiva is associated with the act of destruction (Samhara) or dissolution (Pralay)…
The face of Glory- Kirtimukhas on Hindu temple walls
One of the most intriguing and a common feature among the Hindu temple adornments is the Face of Glory or Kirtimukha. The half human – half animal face, swollen with the intake of breath, is most prominently seen on the sukhanasa, in the centre of the arches of littles niches or shrines, the apex of…
Worship of the Naga or Serpent Worship
The Naga worship or Serpent worship ( also known as Ophiolatry ) is among the oldest and most widespread forms of religious practices in that the world. In the minds of the early men there were a fear of the nature and powerful animals, with a feeling that they were stronger and wiser than him,…
Documenting the worship of Rama in Bengal history
The curious case of Rama in West Bengal Mahakavi Krritibas Ojha (1381–1461), a well known poet from Bengal, was the author of “Sri Rampanchali,” the Bengali version of the Sanskrit Ramayan. While he had largely changed the narrative of Valmiki’s Ramayan and made many additions of his own (making Ram quite different from the original…
An Iconographic exploration of Ganapati- Vinayaka
प्रणम्य शिरसा देवं गौरीपुत्रं विनायकम् ।भक्तावासं स्मरेन्नित्यमायुः कामार्थसिद्धये ।।1।। Pranamya shirasa devam Gauri putram Vinayakam.Bhakthavasam smaretrityamayuh kama artha sidhaye ||1|| The learned one, who wishes, For more life, wealth and love,Should salute with his head to, Lord Ganapathi who is the son of Goddess Parvathi प्रथमं वक्रतुडं च एकदन्तं द्वितीयकम् ।तृतीयं कृष्णपिंगाक्षं गजवक्त्रं चतुर्थकम् ।।2।। Prathamam Vakratundam…
The Mother Goddesses
In all ancient cultures or primitive societies women formed to be the foundation pillars upon whom rested the important tasks of giving birth and rearing the young, while teaching them what were seen as social norms, culture-heritage, behavioral habits, and traditions of those times. The women were seen as life producers with regenerative capacities, hence…
Moni Gāthā 