The Naga worship or Serpent worship ( also known as Ophiolatry ) is among the oldest and most widespread forms of religious practices in that the world. In the minds of the early men there were a fear of the nature and powerful animals, with a feeling that they were stronger and wiser than him,…
Category: culture
Documenting the worship of Rama in Bengal history
The curious case of Rama in West Bengal (written by me) Mahakavi Krritibas Ojha (1381–1461), a well known poet from Bengal, was the author of “Sri Rampanchali,” the Bengali version of the Sanskrit Ramayan. While he had largely changed the narrative of Valmiki’s Ramayan and made many additions of his own (making Ram quite different…
An Iconographic exploration of Ganapati- Vinayaka
प्रणम्य शिरसा देवं गौरीपुत्रं विनायकम् ।भक्तावासं स्मरेन्नित्यमायुः कामार्थसिद्धये ।।1।। Pranamya shirasa devam Gauri putram Vinayakam.Bhakthavasam smaretrityamayuh kama artha sidhaye ||1|| The learned one, who wishes, For more life, wealth and love,Should salute with his head to, Lord Ganapathi who is the son of Goddess Parvathi प्रथमं वक्रतुडं च एकदन्तं द्वितीयकम् ।तृतीयं कृष्णपिंगाक्षं गजवक्त्रं चतुर्थकम् ।।2।। Prathamam Vakratundam…
The Mother Goddesses
In all ancient cultures or primitive societies women formed to be the foundation pillars upon whom rested the important tasks of giving birth and rearing the young, while teaching them what were seen as social norms, culture-heritage, behavioral habits, and traditions of those times. The women were seen as life producers with regenerative capacities, hence…
Garuda – the vahana of Vishnu (Vishnu’s mount)
Vahanas (Mounts) Deities of the Hindu pantheon are known to always exist with their vahanas. Like the accessories in their hands (ayudhas), the vahanas are also peculiar to each deity and signifies that particular god. Vahanas are an essential part of iconography of the Indian sculptural genre, especially from the early medieval period, and is…
Sri Someswara temple in Kolanupaka near Warangal (Telengana)
The beautifully sculpted Kakatiyan temples seen in Telengana are predominantly dedicated to Shiva, and they generally follow the Ekakuta, Trikuta, or Panchakuta plan. The sculptural art of this time gives us an idea of the socio-religious atmosphere of that era. A favourite theme in Kakatiyan temple sculptures were stories from various epics, such as the…
Surya deva or the Sun god- a long journey within the realms of Indic history
The Sun causes day and night on the earth, because of revolution, when there is night here, it is day on the other side, the sun does not really rise or sink. —Aitareya Brahmana III. 44 (Rigveda) The journey of Surya deva or the Sun god, the most prominent one among the other celestial luminaries, has…
A Photographic Journey of Hardwar
Scenes from Har ki Pauri ghat: the melting point of India where one gets to see people from all states The main bazaar area bordering the ghats: The Temples of Hardwar near Har ki Pauri To read on the history and other details on Haridwar please check this link : Haridwar
From Jara, Hariti, Jyestha/Alakshmi, to Sitala – an interesting study of the worship of folk devis
Interestingly India has seen many folk or tribal deities from ancient and medieval eras being worshipped from time to time, especially during the time of epidemics, and other physical and natural calamities. Some of these deities, which retain their primitive aspects, are still venerated by many, and temples dedicated to them are seen spread across…
The various Durga-Mahishasuramardini pratimas as seen through the ages – a pictorial depiction
The ugra aspect of the devi is best characterised by her Mahishasuramardini image, which has been depicted in various ways over the centuries. The Vedic text such as Vajasaneyi Samhita, Taittiriya Aryanaka, Kena, Mundaka Upanishads, Sankhayana grihasutras mention Durga in her various forms; the soumaya (quiet/placid) forms among them being that of Gauri, Parvati, etc….
