Hindu temple iconography is a difficult subject. It takes a lot of reading and understanding of the philosophies behind the symbolism to get at the basics. Then of course there are the varying interpretations of each symbolism as per the philosophy one tends to believe in. There’s a saying in Bengali : joto mot, toto…
Category: musuem
The various Durga-Mahishasuramardini pratimas as seen through the ages – a pictorial depiction
The ugra aspect of the devi is best characterised by her Mahishasuramardini image, which has been depicted in various ways over the centuries. The Vedic text such as Vajasaneyi Samhita, Taittiriya Aryanaka, Kena, Mundaka Upanishads, Sankhayana grihasutras mention Durga in her various forms; the soumaya (quiet/placid) forms among them being that of Gauri, Parvati, etc….
Yaksha
The demi gods/ accessory deities or the Vyantara devatas With the rise of the element of bhakti during the early stages of religious worship (Varuna is the first to have been portrayed as the Vedic moral god, associated with the concept of sin, faith, and divine forgiveness; thus sowing the seeds of bhakti in Indic…
The face of Glory- Kirtimukhas on Hindu temple walls
One of the most intriguing and a common feature among the Hindu temple adornments is the Face of Glory or Kirtimukha. The half human – half animal face, swollen with the intake of breath, is most prominently seen on the sukhanasa, in the centre of the arches of littles niches or shrines, the apex of…
Worship of the Naga or Serpent Worship
The Naga worship or Serpent worship ( also known as Ophiolatry ) is among the oldest and most widespread forms of religious practices in that the world. In the minds of the early men there were a fear of the nature and powerful animals, with a feeling that they were stronger and wiser than him,…
Kesa-vinyas or Hairstyles in Indian art- a photo exhibition by the ASI (2015)
My two bits as Introduction Hair is an important aspect of a person as well as that of an image or a murti. It gives it an individuality and adds to the personality or character of that person or image. The Chitrasutra of Vishnudharmottara purana names six different types of hairstyles: Kuntala (loose flowing hair), Dakshinavarta (hair curled…
The Mother Goddesses
In all ancient cultures or primitive societies women formed to be the foundation pillars upon whom rested the important tasks of giving birth and rearing the young, while teaching them what were seen as social norms, culture-heritage, behavioral habits, and traditions of those times. The women were seen as life producers with regenerative capacities, hence…
Garuda – the vahana of Vishnu (Vishnu’s mount)
Vahanas (Mounts) Deities of the Hindu pantheon are known to always exist with their vahanas. Like the accessories in their hands (ayudhas), the vahanas are also peculiar to each deity and signifies that particular god. Vahanas are an essential part of iconography of the Indian sculptural genre, especially from the early medieval period, and is…
Sri Someswara temple in Kolanupaka near Warangal (Telengana)
The beautifully sculpted Kakatiyan temples seen in Telengana are predominantly dedicated to Shiva, and they generally follow the Ekakuta, Trikuta, or Panchakuta plan. The sculptural art of this time gives us an idea of the socio-religious atmosphere of that era. A favourite theme in Kakatiyan temple sculptures were stories from various epics, such as the…
Surya deva or the Sun god- a long journey within the realms of Indic history
The Sun causes day and night on the earth, because of revolution, when there is night here, it is day on the other side, the sun does not really rise or sink. —Aitareya Brahmana III. 44 (Rigveda) The journey of Surya deva or the Sun god, the most prominent one among the other celestial luminaries, has…
Moni Gāthā 